On the one hand, the multi-layered film functions as an autobiographical portrait of a non-binary person, but at the same time it presents the wide range of difficulties and joys that trans and non-binary people in the Czech Republic go through. The personal is political in this film, which is why the kaleidoscope of situations includes intimate conversations with their mother over fried schnitzels, shots from Ride of the Kings, costumed festivities in the Slovácko region, talking about their coming out around the fire, and serious topics of discriminatory Czech legislation regarding trans people. The informal character of the film is enhanced by authentic interviews and handheld camera footage accompanying the lives of the protagonists.